Spring Song Quilt

Linda Guy

Final size:

136cm (53 1/2in) square

USD $11.37

Intermediate

Quilting

For USD $11.37 you get

Easy to print at home digital pattern sheet

Simple step-by-step instructions to follow

Large detailed images and diagrams

How it works

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Cosy values

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Brought to you by Australia’s Homespun and Quilters Companion magazines

Description

Isn’t this appliqué quilt just spectacular? Linda Guy’s Spring Song quilt pattern features a central flower and bird appliqué motif surrounded by patchwork-pieced squares and big-circle appliqué flower designs, all in bright, modern fabrics.

Use bright, modern fabrics to create a quilt with impact, or experiment with other print fabrics to see the difference your fabric selection can make
Patchwork-pieced border is easy to make with precut fabric strips from a jelly roll or similar
Linda uses needleturn appliqué but you can adapt to suit your preferred method of appliqué
Embellish the central appliqué flowers with some fabric yo-yos
Detailed step-by-step instructions, colour photographs and clear diagrams take you from cutting your fabrics through to the appliqué centre, pieced borders and completing your quilt
Like Linda did in her original quilt, you can hand-quilt your finished quilt using thick thread
The perfect mixed technique quilt for intermediate quilters

Materials

Fabric requirements and measurement for quilt top, backing and binding specified in instructions
Batting
Stranded embroidery cottons
4mm (1/8in) red glass beads
Perlé 8 thread and quilting cotton
Freezer paper
Lightweight cardboard
Appliqué glue such as Roxanne’s Glue Baste It or Sewline glue pen
Erasable fabric-marking pen or pencil
Extra large and small yoyo makers
Rotary cutter, ruler and mat
Compass
Sewing machine with 1/4in foot
General sewing supplies

Designer

Linda Guy

What’s your idea of the perfect stitching day? A perfect stitching day right now would be at the beach, sitting under a tree covering paper pieces or hand stitching. Cup of tea, piece of cake and, most of all, some sunshine. I’ve lived this day a few times when my son came back from Australia and when I was holidaying over there, so there are some good stitching memories. And my sewing bag is full of covered hexagons!

Where do you like to do your work – in a studio, in the garden, in an armchair? All three of those, depending on what I’m sewing. When it’s winter in New Zealand, I take to my armchair in front of the fire. It’s where I do all my appliqué in the evening.

How many stitching projects do you think you tackle each year? I have a very long list of ‘to do’ sewing projects. I’d like to think I could do them all, but I just do what I can and enjoy all the different stages as I go.

What are your sewing essentials? Oooh, well … appliqué pins; Roxanne’s glue; Sewline mechanical pencil and glue pen; Bottom Line Thread; templates for hand piecing; straw needles; and a toothpick or three.

What sort of projects do you like to take with you when you are on the move? I take some redwork stitching and some paper templates. Small appliqué projects, too. Even if I don’t get to stitch, it’s still there, just in case.

How would you describe your stitching style? I think I’d describe it as a little bit folk art. I love all types of stitching, especially redwork on linen with some appliqué, as well. I love birds on quilts. There’s something restful about them and, as hard as I try not to include them, they always seem to appear.

What’s the largest stitching endeavour you have ever worked on – and the smallest? The largest stitching endeavour was a quilt 105in square. It was my second quilt and had lots of appliqué and tiny hand-quilting stitches with intricate quilting patterns. Today, I go in for the slightly larger stiches! The smallest project is a wool sewing keep that holds a pair of scissors and a packet of needles.